YOU’VE
GOT LOVE
Words and Music
by Johnny Wilson, Roy Orbison and Norman
Petty
INTRO: A E7 A E7
- You’ve got two(A) lips that look(E7)
so fine
You’ve got one(A) heart I wish(E7) was mine
Love(D) sweet(E7)
love You’ve got love(A F#m E7) (to Verse2)
- You’ve got two arms that you
could use
to make me lose my blues
Love sweet love You’ve got love(A
A7) (to Bridge 1.)
BRIDGE 1: You’ve(D6) got love Real love
You’ve(A) got
love Sweet-eet love
You’ve(B7) got love that is true
I-I(E7) wa-ant only
you (to Verse 3)
BRIDGE 2: You’ve(D6) got love Real love
You’ve(A) got
love Sweet-eet love
You’ve(B7) got me in a spin
I(E7) love the spin I’m
in (to Verse 3)
- You’ve got two eyes so you can
see
Your love a-was meant for me
Love sweet love You’ve got love(A F#m
E7) [1st time: to Lead] [2nd time: love(A E7
A E7 (repeat and fade)]
LEAD: A E7 A E7 D E7 A D A D A7 (to Bridge
2)
Transcribed by Terry
R. Shaw
The transcription of this song is my own work and represents
my interpretation of the song only. You may use this transcription for private
study, scholarship, or research only. You may not use it for any commercial
purposes.
MIDNIGHT
SHIFT
Words and Music
by Earl Lee and Jimmie Ainsworth
INTRO: A D Well if you see(E7) ol' Annie, better give(D) her a lift ‘cause
An(A)-nie's been a-workin' on the midnight shift
- If An(A)-nie puts her hair up on her head
Paints(D) them lips
up bright bright red
Wears(A) that dress that fits real tight
Starts stay(D)-in'
out late till the middle of the night
Says(E7) that her friend, give her(D)
a lift
Well An(A)-nie's been a-workin' on the midnight shift (to Verse 2)
- If she acts a little funny, seems a little strange
Starts
spending your money for brand new things
Tells you that she wants to use
the car
Never explains what she wants it for
Brother, there just ain't no
ifs
'Cause Annie's been a-workin' on the midnight shift (to Lead and then
Verse 3)
LEAD: A D A E7 D A (to Verse 3 or 4)
- Well early in the morning when the sun comes up
You look at
ol' Annie and she looks kinda rough
You tell her, " Honey get out of that
bed!"
She says, " Leave me alone, I'm just about dead!"
Brother, there just
ain't no ifs
'Cause Annie's been a-workin' on the midnight shift (to Lead
and then Verse 4)
- If you got a good mama that's stayin' at home
You better enjoy,
'cause it won't last long
When you think everything's all right
She starts
slippin' ‘round in the middle of the night
Brother, there just ain't no ifs
'Cause Annie's been a-workin' on the midnight shift (to short Lead: A D
E7 A)
Transcribed by Terry
R. Shaw
The transcription of this song is my own work and represents
my interpretation of the song only. You may use this transcription for private
study, scholarship, or research only. You may not use it for any commercial
purposes.
CHANGING
ALL THOSE CHANGES
(AKA "I’m Changing All Those Changes")
Words and Music
by Buddy Holly
INTRO: I-I-I should(E) have reconsid(A)-ered all those things(E)
I said I'd do(A)
So now I'm chang(D)-ing all those chan(A)-ges that I made(E)
when I left you
(A D A E A D A E A)
- Sweetheart I'm chang(D)-ing all those chang(A)-es that I made(E)
when I left you(A)
Because(D) I made those chang(A)-es when I thought(E)
you were untrue(A)
But now(E) you're gone I’ve found(A) I'm wrong and there's
no(E)-thing I can do(A)
except to change(D) up all those chang(A)-es that I made(E) when I left
you
(A D A E A D A E A - long D A E A) (to Verse 2)
- I-I-I did(D)-n't stop to think(A)-ink, I just left(E) without
a care(A)
And now(D) I know you're gone(A) and I can't find(E) you anywhere(A)
I should(E) have reconsid(A)ered all those things(E) I said I'd do(A)
So now I'm chang(D)ing all those chang(A)-es that I made(E) when I left
you
(A D A E A D A E A - long D A E A repeat Intro and end)
Transcribed by Terry R. Shaw
The transcription of this song is my own work and represents
my interpretation of the song only. You may use this transcription for private
study, scholarship, or research only. You may not use it for any commercial
purposes.